Transformers: Fall of Cybertron

The war on planet Cybertron rages on in this second chapter of the
phenomenally successful action game series. Transformers: Fall of
Cybertron takes fans through the final, darkest hours of the civil war
between the Autobots and Decepticons as they fight for control of their
dying planet, ultimately leading to their storied exodus from home.
With the stakes higher and scale bigger than ever, fans will control an
unprecedented assortment of Transformers characters armed with authentic
transformation designed around their unique abilities, including
Grimlock's nearly indestructible T-Rex form and the legendary
Combaticons forming into the colossal Bruticus. Taking the franchise's
competitive online play to all-new heights, Transformers: Fall of
Cybertron pits players head-to-head in blistering Autobot vs. Decepticon
matches. Before multiplayer combat, players can create their own unique
characters with the most in-depth, advanced customization ever before
seen in a Transformers game.

"People think being a game director is the best job in the world," says High Moon Studios' Matt Tieger. "Truth is, it's the worst." The man in charge of Transformers: Fall of Cybertron
says the hardest part of his job is having to make sacrifices. He knew
change would inevitably upset somebody, but achieving the team's new
vision for the franchise meant letting go of aspects it loved.


The most notable casualty of the War for Cybertron is co-op. This time
around, the campaign is single-player only. "It's heartbreaking, I
know," Tieger says, "but we have a very good reason for that."


As it turns out, High Moon has a lot of good reasons.




More Transformers: Fall of Cybertron Videos

Each character in Fall of Cybertron comes equipped with a unique ability
to call its own. This goes beyond the expected "he's a jet instead of a
car," or the typical "can carry heavy weapons."


Optimus Prime, for instance, can designate targets for air strikes. In
addition, the Autobot leader can mark massive structures for death by
giving orders to Metroplex, his city-sized, punch-happy helper. Jazz, on
the other hand, can navigate vertical levels using a grappling hook
similar to the zip-line in Just Cause 2. Vortex adds another layer that
complicates combat in an interesting way: He can flip from walking, a
jet, and a chopper, and each form has its own set of weapons.


These kinds of abilities will change the way fights unfold in major
ways, and it's one of, if not the most exciting thing about the
campaign.




The Ark is the Autobots' only way off Cybertron, and she's all out of juice.


The most significant gameplay changes come in the form of new
Transformers. The Combaticons combine to create Bruticus, a lumbering
behemoth with a laser-cannon for a fist and a penchant for smashing
environments to pieces. Fall of Cybertron's most marketable new faction
is, of course, the Dinobots.


Gameplay as Grimlock, the Dinobot leader, is a cool highlight because it
removes ranged combat from the equation altogether. He's
sword-and-shield only, with the added bonus of transforming into "a
f---ing space T-Rex that breathes fire," as Tieger puts it. "You don't
even have to like Transformers to love that."


These distinguishing characteristics were the primary concern for
Tieger, who openly admits, "the first game got a bit repetitive toward
the end." Achieving a stronger sense of diversity also meant retooling
the level design and creating a wider visual palette. High Moon Studios
even went so far as to rebuild its entire artificial intelligence system
from scratch.




The use of color is gorgeous in certain settings.


Enemies could barely keep up with player mobility in War for Cybertron
-- switching from vehicle form to on-foot and back to a car confused
enemies. The A.I. was exploitable and, at times, kind of embarrassing.
With two characters rampaging through Cybertron, you and a pal could
steamroll the chumps.


Fall of Cybertron's enemies are built to keep up and kick your ass.
They'll throw grenades, relocate in the large environments, and snipe
while on the move. There are also just more of them -- a natural result
of the addition of Insecticons and Dinobots, and yet another check mark
on the team's "more, more, more" to-do list.


What place would co-op have in a campaign like this, one built so
specifically around one player's abilities? The new A.I., availability
of ammunition, methods of traversing the environment, and mission design
discourage multiplayer in most cases, and make it impossible in others.



With that in mind, Fall of Cybertron's new multiplayer should pick up the online slack.




Me Grimlock munch on bug bots.


Tieger won't specify why or how the multiplayer is new and improved,
though -- only that it's going to be more ambitious than War for
Cybertron's straightforward (but still good) competitive modes and co-op
survival. If the improved robo-customization is indicative of the
overall approach to improving its online, Fall of Cybertron is well on
its way.


The limited character creator from the first game is getting a massive
overhaul. Changing individual appendages gives each infantry bot its own
distinct look, while changing the appearance of the vehicle
transformation as well. A lanky, thin gunner may transform into a
hulking tank, and a small tweak to your arms can turn your space sedan
into an F1 racer from the future. There are a ton of options, and
Transformers nerds are going to freak out.


That's probably true about the whole of Fall of Cybertron, actually.
This is yet another prime example of Tieger and his team proving they get it.
High Moon Studios is a talented team that understand Transformers and
is catering to fans in bold new ways. Even if it means trimming the fat
we used to love.